Paper House (19th – 21st Apr)


klpac 呈献

福建舞台剧兼本地作品

香店

试想于一个典型的家庭团圆; 你独自的与家人撤夜聊天, 打牌, 享受着沉默的时刻;突然间, 有人敲门 , 事实上现在正是七月十五中元节! 你会打开门看看是谁吗?还是你会忽视并不理敲门声?以上大致是启动《香店》的故事前提,《香店》将会是第三套以福建语为媒介于本地舞台登场的喜剧.

klpac福建风云的由来

吉隆坡表演艺术中心呈现《香店》, 由 Mark Beau de Silva编剧与导演, 开发首演于Indicine @ klpac 从四月十九日至四月二十二日.

《香店》首次以英文于2007年公演. 虽然编剧Mark Beau de Silva所编写的角色们都是出生于居林的福建人,他从来没想过会用福建话来排演,因为他一向来只写英文剧. 2010年,自从《大头与番薯头》演出成功,klpac的第一品福建舞台剧, 他决定了要闯入福建舞台作品的领域,以此他翻译了《香店》。

福建戏剧于巴生谷的福建圈子里有一定的需求。《香店》将会引用槟城的福建话来排演,串联于故事的两兄弟都是北马出生的。

本剧的两位演员,Roax陈忠势和Douglas王衍任都是福建人。Roax是槟城福建人而Douglas则是巴生福建人。他们两人的挑战在于两人都必须讲非常流利的槟城福建话。这已经不是他们跟Mark第一次的合作。继<The Joy of Solitude>在2011年马来西亚Short&Sweet Festival荣获最佳导演,最佳男主角以及最佳男配角的殊荣后,由导演Mark Beau,演员Roax陈忠势和Douglas王衍任所组成的舞台剧福建帮再次为大家带来铁三角的最新作品<香店>。看来,这将不会是三人最后一次合作的福建剧。

故事简介

两兄弟~源和锦继承了父亲留下的传统香店(神料店)。哥哥源以父亲在世的模式继续经营香店,而弟弟锦则早已离乡在吉隆坡工作并只在每年农历七月回家乡一趟拜祭父亲。

在锦再次离乡启程回吉隆坡的前一晚,兄弟俩遇到了一位迷路的马来小男孩。在两人企图决定应该怎么处理这个状况的当儿,源和锦发现其实他们早在父亲离世后就在生活里迷了路。

父亲的离世是兄弟俩的解脱?香店是枷锁抑或是传统的传承?这一个神秘的晚上,源和锦面对了兄弟间最真实的考验。

演出细节

演出日期/时间 : 星期四-星期六, 四月十九日至四月二十一日 @ 8.30pm

星期日, 四月二十二日 @ 3pm

演出地点     : Indicine, The Kuala Lumpur Performing Arts Centre (klpac)

票价        : RM25 (成人)

RM15 (学生/残障人士/TAS Card)

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The Kuala Lumpur Performing Arts Centre proudly presents Paper House. Imagine a typical Chinese family reunion; you are alone with your family, chit chatting through the night, playing cards, enjoying the silence, and suddenly, there is a knock at the door…Oh, and throw in the fact that it is Chit Goik Puangh(hungry ghost festival!), do you open the door to see who it is, or do you ignore the call at the door? That is more or less the premise that starts the story behind the Hokkien comedy drama, ‘Paper House’, the third of its kind in a series of original popular Hokkien comedies brought to the stage.

2 brothers; Kim and Yen(Douglas Wong and Roax Tan) inherit their father’s Chinese paraphernalia shop. Yen maintains the shop like how his father used to, while Kim returns once a year for his father’s death anniversary prayers. One night, after the final prayers, as Kim prepares to leave for the city, they encounter a lost girl outside the shop. Too late to bring to the police, and unsure of her background, the brothers decide to shelter the girl for the night. As they decide on what to feed the brown skinned girl, and what to do to her the next morning; the brothers realize they are lost in many ways themselves, and discover that the answers to the questions in their hearts are found in the paper house that their father has left them.

Actors: Douglas Wong, Roax Tan

Lighting: Amelia Tan

Set Design: Mark Beau


Date & Time:
19th – 21st April @ 8.30pm / 22nd @ 3pmWriter/ Director: Mark Beau

Venue: Indicine, The Kuala Lumpur Performing Arts Centre

Tickets: RM25 / RM15 (Students, Disabled, TAS Cardholders)

Language: Hokkien

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THE CAST

Douglas Wong Yean Reun

He is known as the mastermind and actor of <The Joker Trio>, a Chinese-speaking stand up comedy group in Malaysia. He also won the Outstanding Theatre Achievement Award in the 2001 ADA Drama Awards and has been active in the local Chinese-speaking theatre scene as a producer, director, writer, actor and performing coach. He has also been working in entertainment management for both local and international resorts. His recent accomplishments include the opening of Galaxy Macau and the Best Supporting Actor Award in Malaysia Short+Sweet Festival 2011 acting as old Charlie in <The Joy of Solitude> directed by Mark Beau de Silva.

Roax Tan

He is an award winning actor who has acted in many plays and TV shows. He won best actor in the Hokkien play Big Head Potato Head and Best Actor in Short+Sweet 2011. He was also named Best Actor at the 9th ADA Drama Awards 2011.

THE CREATIVE TEAM

Mark Beau de Silva (Writer, Director, Set Designer)

Mark Beau de Silva has been working in the arts since 2001. He started as a stage manager for Rep21 Theatre Company, and has donned many hats since, as a director, writer, and teacher. His plays have been performed in Malaysia, Singapore, and South Korea. 4 of his plays: Stories for Amah, Ah Steve, Oh My God and Bottom Top have been nominated for best writing in the Cameronian Arts Awards. He is currently Co-Associate Artistic Director of klpac. Mark has been teaching and conducting workshops since 2004. He has written 3 Hokkien plays to date and two of them, Big Head Potato Head and I am Not My Pimples have received numerous awards at the ADA Chinese Theatre Awards. He wants to continue sharing stories in Hokkien.

Amelia Tan (Lighting Designer)

Amelia is a full-time theatre practitioner, drama and dance instructor. She graduated from Singapore’s “Theater Training and Research Program” (TTRP) and has personal expertise in lighting design, stage makeup, actor training, physical training, voice training and acting.
She also serves as the acting instructor of the Drama and Visual Department at New Era College and was also a former local TV actor training instructor. In 2001 and 2003, she won the ADA Drama Award for “Best Stage Practitioner” and the ADA Drama Award for “Best Supporting Actress” in 2009. She has performed locally and overseas in Shanghai, Singapore, Thailand, Taiwan and Japan.

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